Oh, and just a note to any would-be bridal clients:
I love you all. You're great. It's such a blast to get to make wedding dresses every day. I try my best to make your dream gown a reality. But.....
I cannot duplicate this dress for $300. Sorry.
I cannot duplicate this dress for $300. Sorry.

On this first picture, you can see there is a small piece (about 3/8 inch) between the glove piece and the back hand piece. This really adds to the fitted-ness of these gloves. They allow the hand to have a better ability to stretch the fabric as the fist closes than just one seam would.
On this picture you can see (well, you can see my little heart-breaker in the back...can you tell from this picture that his eyelashes touch his eyebrows?..., just ignore him for the moment) that there are individual pieces that make up the inner finger. These run up and down the inside of each finger with teeny-tiny-made-by-little-glove-fairy seams at the intersection and top of each finger.
Last of all, the most interesting part, the thumb piece. If I were to guess, I'd say there is a little cat's eye shaped dart between the thumb section and the inner glove section.
I love Dillards beyond words. My personal theory is that it has something to do with the smell. (I say this because in reality, I don't actually buy that much there) Do you know the smell I mean? Every single Dillards on the planet smells exactly the same and they rig those silly swinging doors to work somehow that the smell just hits you full force right in the sniffer the minute you open them. I grew up shopping at the Dillards flagship store in Little Rock. I lived about 1/2 hour north of Little Rock in a town that didn't have any real department stores to speak of (well, there was JCPenney, but it was only big enough to sport 4 parallel parking spaces in front of the store...and does JCP really count for a 'shopping experience'? We only ever bought underwear there) The smell of Dillards takes me back to day long shopping trips with my mom that always included a smothered steak lunch at Frankies and a stop at the end of the day at Baskin Robbins to stuff as much of our booty as we could in one bag so it wouldn't look like we bought so much and a double decker for the trip home.
It actually starts somewhere unknown out in the west terminal (DIA has two terminals, each with maybe 2 dozen airline counters). We were lucky enough to arrive before it headed out in that direction.
It crosses the bridge between the 2 terminals out in the plaza here. Between these two poles is where I was interviewed.
Then it comes down this side of the plaza (the back side of the east terminal)
Then it heads up this hallway and takes a right at the clarinet player.




Don't know if you remember the alpaca sweater I made Kevin last Christmas, but it was frought with problems. First and foremost...it sheds. I know Kevin well enough to know that alone puts it off the "I'll actually wear this" list. Second, there were design issues and the sleeves are just way to long (and grow more when on) and would need re-making anyway.
It's even in the exact same color as my yarn!
I'm making it in dark lilac alpaca/silk elegance. Yummy.
That's me trying to figure out how to take a picture of a something on my person. This is about the best picture that came out. The lighting in my studio is horrible and I couldn't quite figure out how to angle the camera right in the mirror, but I think you get a good idea of the sweater. (someone do a tutorial on self picture taking, please!)


I just this minute walked into my kitchen from putting the girls bed and found this. He's 4. That's really just all the explanation you need.
These are Quentin's beloved "Flash Poe-jammas". When he was 2, we were out of clean pajamas one night and just had these in the back of the drawer. They were at one point hand-me-downs somebody had given me when Olivia, our oldest, was a toddler. Both girls wore them only occasionally when they were 2. When we found out we were having Quentin I pulled out everything of the girls that could be saved back for a boy. That amounted to a few white socks without ruffles and an old Toad Suck t-shirt and these pajamas. (Um, o.k. are you back from the Toad Suck site now? That's a real site. It's the annual festival in my hometown. No kidding. Just let me know if you need a t-shirt this year.)
That's the theory I'm going with. (that the house exploded)
This is the other 'tails of interest. Ponytails that is. It was for "crazy hair day" at my daughter's school.
Oh, and one last thing. DH (on the right) just interviewed Afif Safieh, the Palestinian Ambassador a few weeks ago. You can read about it here.
Um...yeah, that's my living room in the background (and Quentin on the couch sucking his thumb). After I got this thing pressed, on the dress form, wrapped up mummie style in my king size bed sheet, and got her downtown...I made it back to pick up Zoe from kindergarten with one minute to spare. So...the pics were taken in a hurry, but I know you guys have been dying to see it, so here it is!
There's a tiny bit of wobbly fit at the top of the bust area. I would kill to get my hands on someone who has several years experience making corsets to mentor me. I'm totally self taught and there are things that just don't always work for me, the area being the most troublesome.
The four areas where I printed words say "fashion", "haute couture", "chic", and "modiste"
Again, some areas of stress I would like to learn how to eliminate, a corset should look like you've been shelacked (sp?) into into it.
My favorite part (the back view) !

I think you get a really good feel here for the print. The swirls and letters were batiked with Batik EZ from Crafters Pick, then I used yellow and green in Jacaurd Dye-Na-Flo, then went back after that was dry and added small areas of teal and burgandy. Then washed out the Batik EZ with warm water, let it dry and stamped Jacaurd Luminere in Burgandy and Gold.



O.K., this was a lightning fast concept sketch, now that I look at it, I'm thinking you probably can't tell anything about what I'm thinking. The top would be silk with batik and stamping in purple, orange, burnt umber to look something like this in print. Then the skirt would be layers of tulle with snippets of other tulle going from darker to lighter up the full skirt. There is also a victorian style drape across the top of the skirt, gathered in the back with huge tulle gathered flowers. Remember, this is an art peice.

